Friday, September 20, 2019

I am sitting in Mindy's....


            For reasons I do not know, I am, previous to the last few days, not a reader of Damon Runyon. This is clearly my loss. But I am happy to report that the situation is being rectified.
The literary agent Sheldon Abend somehow acquired the rights to a whole lot of Runyon’s stories in 1992 and Guys & Dolls: The Stories of Damon Runyon (1997) reprints thirty-two of them, originally published in popular American magazines between 1929 and 1944, here with an introduction by William Kennedy. The narrator of the stories is never named and speaks a peculiar variety of American English that has ever since been called Runyonese. He does not use contractions, favors the present and present progressive tenses (“I am sitting in Mindy’s Restaurant on Broadway”), and uses slang sparingly: guns are “rods” and “Roscoes,” to look is to “glaum” or to “lamp,” card sharks are “mechanics,” and Broadway itself is “the stem.” The narrator uses understatement and litotes, the explicit statement of the obvious, and certain phrases that are repeated “more than somewhat.” People are “citizens,” and of course, men and women are “guys and dolls.”
            The stories are urban underworld tall tales, and their characters form a society that was never seen on Broadway or any other street. Some of the stories are farcical: Tobias Tweeney becomes terrible twelve-gun Tweeney when the guys the narrator takes him to meet load him up with their Roscoes in a raid. In another story Big Butch takes the baby along to blow a safe, and a police sergeant gives him a tip about cutting teeth. There is no lack of the sentimental, as when the gambler named Sky bets everything against a soul, loses, but comes up a winner. Some of the stories strain credibility more than others: “The Hottest Guy in the World,” is Big Jule, recently released from prison, who’s lost his girl to his childhood friend, the cop Johnny Brannigan. Johnny saves Jule from arrest when Jule kills a gorilla threatening Johnny’s baby, King Kong style, in a story that predates King Kong by three years. “Madame La Gimp” is a classic situation comedy in which Dave the Dude arranges for Madame an elaborate party to fool her daughter and fiancé into thinking her life really matches the letters she’s been sending her daughter for years. “The Bloodhounds of Broadway,” transplanted from Georgia, trace Regret the horseplayer, but it turns out he did not shoot Marvin Clay the jerk, but his companion Miss Lovey Lou did. Runyon likes that twist to the end of the story, and has obvious debts to Henry, Twain, and Lardner. Rusty Charley takes the narrator for a night on the town, but Rusty’s wife proves to be the better man, and the adventure has the unexpected effect of curing the narrator’s blood pressure. The story that “Dream Street Rose” tells about her “friend” in Colorado who is pimped by her husband and takes revenge on him turns out to be true.

Sunday, September 1, 2019

The Seven Wonders of the World


            “Ozymandias” comes to mind when I reflect that only one of the seven ancient wonders of the world still stands; that one, ironically, is the oldest, the Great Pyramid of Giza. In 1988, Peter Clayton, Martin Price, and four of their colleagues who study antiquities put together essays on The Seven Wonders of the Ancient World using what evidence can be gathered. They quote Strabo, Pliny, Homer, and other writers, gather archaeological evidence, provide maps and plans and reconstructions and also look at what is often the only contemporary evidence: coins struck at or near the time that the wonders they describe were still standing. Not surprisingly, both Clayton and Price are scholars of ancient numismatics. The list consists of two tombs, two statues, a temple, a garden, and a lighthouse. In an introduction, Clayton and Price point out that six of the seven wonders, minus the Pharos at Alexandria, are already noted as marvels in a poem by the Greek Antipater around 140BC, but that the list doesn’t get formalized until the Renaissance, when artists try to depict the seven ancient wonders in engravings.
            1. The Great Pyramid of Giza was built for the pharaoh Khufu, whom the Greek historian Manetho called Cheops—and the name stuck—around 2600BC. Manetho, writing during Ptolemy II’s reign ~250BC who devised the Old, Middle, and New Kingdom division of Egypt’s thirty dynasties. Cheops’s pyramid represents the culmination of Old Kingdom tomb building. The pyramid’s shape, with its 55 slope, suggests the sun’s rays and is tied to sun-worship. The site was made level using a water enclosure and carefully aligned with the cardinal points of the compass, using the stars. The stepped blocks were filled in to make a smooth inclined surface and the whole was encased in white limestone. The pyramid was 480 feet high, and each of the sides was 756 feet, plus or minus less than eight inches. The Great Pyramid has more internal passages and chambers than any other Old Kingdom pyramid. Herodotus, Diodorus Siculus, and Strabo all wrote about the pyramid two millennia after its construction, when it still had its limestone casing.
2. The Hanging Gardens of Babylon are not mentioned in cuneiform texts that describe the building projects of Babylonian kings, including Nebuchadnezzar II (604-562BC). There is evidence that Mesopotamian kings such as Sennacherib and Assurnasirpal prized gardens that were extensive and elaborate. But it is the detailed descriptions of later writers, Berossus (c. 270BC), Diodorus Siculus (c. 50BC), Quintus Curtius Rufus, Strabo, and Philo of Byzantium (c. 250BC), who write with a voice as of authority, who have convinced many of their existence. Herodotus, at around 450BC the writer about Babylon nearest in time to Nebuchadnezzar’s reign, makes no mention of hanging gardens in his descriptions of the city. None of this has prevented excavators of Babylon such as Koldewey and Wiseman from theorizing where in the city the gardens might have been.
3. The Statue of Zeus at Olympia, in the Peloponnesus, was a site of worship, but also the location of the quadrennial games, which the Greeks dated from 776BC. Their origin was in religious ritual, probably funeral rites celebrating Pelops, but later shifting to honor Zeus. A complex of stadium, gymnasium, temples, and quarters for the athletes who gathered for the games, it was 175 miles to the south Mt. Olympus, in Thessaly. The temple of Zeus was built around 460BC out of a conglomerate stone of fossil shells, and Pheidias supervised the decoration from a nearby workshop. The stature of Zeus, seated, was of chryselephantine—gold and ivory-13 meters high, completed in the 430s. We have a nearly contemporary coin from Elis, close to Olympia, depicting the statue within the temple. Pausanias, a Greek, visited the temple and described it and the statue in AD174. In 391 the emperor Theodosius closed the temple, and later the statue was transported to Constantinople, where it was destroyed by fire in 462. Meanwhile landslides, earthquakes, and floods had toppled and covered most of the buildings at Olympia, where they were not excavated until recent centuries.
4. The Temple of Artemis at Ephesos, 425 by 255 feet, had 60-foot columns whose bases were cylinders surrounded by sculptured reliefs, Ionic capitals, and three windows in the pediment framed by statues of Amazons. The temple was first built around 600BC and we don’t know what sort of stature of Artemis presided there. That temple, destroyed by fire about 350BC was rebuilt, and the statue in that temple, was that of a mother-goddess with many breasts. The later temple was destroyed by Ostrogoths in AD262. Afterward there was some rebuilding, which was in its turn destroyed by St. John Chrysostom in 401.
5. The Mausoleum at Halicarnassus, finished around 350BC, was probably started during the reign of Mausollos, who was ruler of Caria and a Satrap of Ataxerxes III, the King of Persia. Legend said it was built by his sister/queen in grief, but she survived him by only two years (353, 351BC). The Mausoleum had already suffered earthquake damage when the Knights of Malta took it apart for building stones and burnt a lot of the marble statuary to make lime for their Castle of St. Peter in the first quarter of the sixteenth century.
6. The Colossus of Rhodes, was in the harbor of the city and island that were on two main ancient sea routes and became a power around 400BC. The city withstood a siege by Macedonia in 305BC and the inhabitants sold the siege engines that were left behind and used the money to build a bronze statue to their patron, Helios, 110 feet high, completed about 275BC but not, as later legend would have it, bestriding the harbor. An earthquake toppled the Colossus (at first this meant any statue; later a very large one) in 226BC.
7. The Pharos at Alexandria, so called because of the island off the city, now connected to it by a mole, was completed around 275BC. It was a three-tiered structure about a hundred meters tall that lasted until the fourteenth century, when its ruins were used to build an Islamic fort on the site.