I have been thinking about those who genuinely find their identites in their work--artists of all sorts, missionaries, people with a calling to heal in some way--versus those who just can't seem to stop thinking about the office and bring it home. Identifying with your job can be dangerous: some people die within months of retiring because of it. Others are just annoying, and my pet peeve here is the professor who remains pedantic in his private life--too close to home for this ex-professor.
So I did some thinking with a pencil and a calculator about just how much of our lives is work. If you are fortunate enough to have a full-time job and also fortunate enough to be able to live on just one job, this is how it breaks down. If you begin full-time work at twenty years of age, work a forty-hour week fifty weeks a year until retirement at sixty-five, and live until you are eighty, you will spend LESS THAN 15% of your time on earth at work. Even if you go to work at fifteen and work until you die, you'll still be spending fewer than 20% of your hours at work. Even in a work year, only 2,000 of the 8,760 hours are spent at work. You are not your job.
Sunday, September 15, 2013
Monday, September 9, 2013
Getting Beyond the ABCs
“Eddyville
Ground, this is Cessna Four Four Romeo Papa with Information Lima at the
terminal, ready for taxi.”
“Four Romeo
Papa, taxi to Runway Six Right, left on Delta, right on Charlie, left on
Foxtrot, hold short of Runway Three Three.”
This
conversation uses the communications alphabet, also called the phonetic or
radio alphabet, for clear and unambiguous radio exchanges. Hundreds of such exchanges occur every day,
and aviation traffic is safer because of this universally understood ABC. But as businesslike and matter-of-fact as the
radio alphabet seems, a closer look shows it is packed with history, romance,
mythology, literature, and the lure of faraway places.
The
International Civil Aviation Organization (ICAO), an agency of the United
Nations, adopted the communications alphabet in 1952. Soon NATO, our own armed forces, and the
International Telecommunications Union (ITU) also adopted the alphabet. For the U. S. Army and Navy, it replaced the
Able Baker Charlie Dog Easy alphabet familiar from WWII movies. The Aeronautical Information Manual (AIM)
specifies in Chapter 4-2-7 that the ICAO phonetic alphabet be used by pilots. The version printed there is actually the ITU
alphabet, which uses Alfa instead of Alpha (Spanish pilots might be tempted to
say Al-pa) and Juliett instead of Juliet (so French pilots won’t say
Jool-ee-ay).
Although
there seems to be a solid American base to the alphabet, with homely names like
Charlie and Mike as well as the patriotic Yankee, we also get hints of the more
cosmopolitan. You may be figuring
weights and balance in pounds, but Kilo is a reminder that there are other
measures—in Lima, for instance, or Quebec, or all over India.
As for
history, Alpha and Delta are taken straight from the Greek alphabet, only a
step removed from an earlier form of writing using stylized pictures, or pictographs. Alpha, for example, derives ultimately from
the Hebrew aleph, which meant ox.
Just turn the capital A upside down to see the ox’s head.
Romeo and
Juliet, of course, are Shakespeare’s star-crossed lovers, children of two
feuding families in the Italian city of Verona.
In the Greek myth, Echo was the nymph who loved the self-absorbed youth
Narcissus, pining away until only her voice remained. And could Papa be Hemingway?
There’s a
whiff of the getaway vacation in Hotel and Golf, and the alphabet suggests a
taste of nightlife: have a Whiskey and dance the Foxtrot. If you can manage the more exotic Tango, you
might prompt a “Bravo!” from the spectators.
So the next
time you use the familiar letters of the radio alphabet, think of its
cosmopolitan cultural background. From
its Greek beginnings in Alpha to the African zest of Zulu, this bunch of
letters gets past the simple ABCs!
Tuesday, September 3, 2013
The Education of Henry Adams
The
Education of Henry Adams is a terrible book. Like Walden and
Emerson’s Essays, it reveals a peculiarly American complacency in its
subject, but without the redeeming writing skill of Thoreau and Emerson. Adams
is vague and general when he should be detailed and specific, and that’s pretty
much all the time. He writes as if his readers had just put down a newspaper
covering the events of the period he’s writing about, so that all he need do is
allude to people and places.
The
choice of narrating his life in the third person is never justified or
explained. Perhaps Adams thought it suited his habit of self-deprecation.
Unfortunately, the self-deprecation, like most of Adams’s attempts to be
humorous, comes across as mere sarcasm, which is the weakest of humor’s
rhetorical tools. The book’s conceit, that Adams never gets the education he
needs to face the end of the nineteenth century and the beginning of the
twentieth, is undercut by Adams’s condescension about almost everyone else’s
mental powers, including Lincoln, Grant, Cleveland, Roosevelt, and other
American presidents he meets.
Adams, a
self-confessed dilettante when it comes to art (though even here he boasts of
confounding the experts), is in fact a dilettante in all he tries. He plays at
learning law in America and abroad, makes fun of his secretarial duties in the
service of his father Charles Francis Adams when the latter is ambassador to
England, and when he returns to the States after the Civil War to no prospect
of high diplomatic appointment under Johnson, he gives up the idea of diplomacy
altogether and becomes a part-time journalist and an unwilling history
professor. Meanwhile, he has briefly taken up Darwin without understanding him;
he has the mistaken popular, teleological notion that evolution aims at
perfection.
In the
chapters on Adams’s years in London during the Civil War, the young diplomat
bewails his failure to understand what the Prime Minister, Lord Palmerston, the
Foreign Minister Lord Russell, and the Chancellor of the Exchequer Gladstone
are up to. Henry thinks their behavior reflects a wish to see U.S. power
divided, since she is a rival nation (and an old enemy). In fact, if their
memoirs and biographies written years later are to be believed, they were just
reacting to day-to-day changes in the American situation while trying to
protect England’s cotton trade with the South.
After
the war Adams remains in England at loose ends, taking up Darwinism and
becoming a dilettante and an art collector in a small way. When he returns to
the country he can expect nothing from the Johnson administration—the
southerner Johnson was anathema to the old Free Soilers (Sumner, Charles Adams,
and the other men who formed Adams’s political consciousness). He had been
publishing, sometimes with his identity concealed, in various stateside papers
since his work for his father in the Congress, so he ended up going to
Washington to try to break into a journalism job, ultimately in New York.
He
supported Grant but soon discovered what a mistake that was. The Jay Gould
scandal came less than a year into Grant’s presidency. Adams first turns down and then accepts a job
to teach at Harvard and edit the North American Review.
After
the death of his sister in the early 1870s there is a hiatus in Adams’s
account: He tells us nothing about his marriage or his wife’s depression and
suicide, and he leaves out any account of the years from 1872 to 1892, when he retires
and begins a period of travel with various friends. Altogether I find the book
unsatisfactory as autobiography or as a picture of the times Adams lives
through.
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