Michael Cohen, Sisters: Relation and Rescue in Nineteenth-Century British Novels and Paintings (Fairleigh Dickinson University Press, 1995).
Looking at nineteenth-century British paintings and novels, Sisters argues that the rescue of one sister by another, the subject of a surprising number of works, is a metaphor for the moral rehabilitation of one woman by others in defiance of damning stereotypical constructions of women in general.
Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts
Monday, January 17, 2011
Sunday, January 16, 2011
Engaging English Art
Michael Cohen, Engaging English Art: Entering the Work in Two Centuries of English Painting and Poetry (University of Alabama Press, 1987).
Engaging English Art is about strategies common to poetry and painting for engaging readers and observers. Engagement is a word Cohen uses to identify the reader’s or observer’s experience of entering the work of art and being captured intellectually, emotionally, or morally by its subject. His examples come from English painting and poetry from about 1680 to 1880, because Cohen believes that engagement had preferred critical status as an artistic goal in England during this period, until the advent of aestheticism.
Engaging English Art is about strategies common to poetry and painting for engaging readers and observers. Engagement is a word Cohen uses to identify the reader’s or observer’s experience of entering the work of art and being captured intellectually, emotionally, or morally by its subject. His examples come from English painting and poetry from about 1680 to 1880, because Cohen believes that engagement had preferred critical status as an artistic goal in England during this period, until the advent of aestheticism.
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