Over the years I’ve read a fair
number of academic novels. Examples come to mind by Jane Smiley, Bernard Malamud,
Vladimir Nabokov, David Lodge, Kingsley Amis, and C. P. Snow, just to name half
a dozen. Richard Russo’s Straight Man
(1997) is as good as any of them.
Almost
fifty, stuck in a regional state university in a small town in Pennsylvania,
William Henry Devereaux, Jr. is the interim chair of
English, treated with suspicion by his colleagues, even though he would like to
shield their incompetence from the administration, while he’s treated with
uncomprehending lassitude by the students he tries to provoke to stand up for
themselves, to coax into using a little reason, and in his fiction workshop, to
protect themselves from their own gaucheness: “always understate necrophilia,”
he says to his worst writer, who doesn’t. At least two of his fellow faculty
members have physically attacked him. He insulates himself from the knocks
while trying everyone’s patience with his jokes. He likes to take advantage of
the fact that his paranoid, hyper-sensitive colleagues can’t seem to say
anything that doesn’t tee up a comic line from him—everybody’s a straight man.
But Hank’s humor isn’t masking depression or despair. He’s a happy man, when he
stops to realize it, though he’s under a good deal of pressure.
One of
the repeating motifs is Hank’s fondness for William of Occam and his famous
razor: the simplest explanation is usually the right one. He even has a dog
named Occam. But as the administration threatens drastic budget cuts and
faculty firings, Hank’s life is anything but simple, and he becomes a media
star, the villain of campus protest groups, and a phantom of the Modern
Languages Building, skulking around above the ceiling tiles. Another repeated
motif is Hank’s line, with varying epithets filling in the blank: “I’m not a
--------, but I can play that role.” The
Guardian reviewer Tom Cox ends his review, “Richard Russo might not be an
acknowledged master of the campus novel, but he can definitely play that role.”
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